DANIEL SINGER, ACAT '81

ACAT/Daniel Singer

ACAT FACULTY (1988–2018)

“I treasure the fact that each ACAT trainee I teach and touch learns differently.  My own journey has been informed by a broad range of interests, including consciousness, contemplative studies, painting, healing, writing, and Argentine Tango. Endeavoring to make what is profound in the Alexander Technique work easily accessible, I have a passion for helping trainees and post-graduates to become clear-headed, competent, confident and creative teachers of the Alexander Technique.”

TRAINED UNDER

Judith Leibowitz and Deborah Caplan

TEACHING EXPERIENCE

  • Circle-in-the-Square Professional Theater School

  • AMDA: American and Musical and Dramatic Academy

  • Michael Howard Studio Acting Conservatory

  • The Actors Studio Drama School MFA program

  • Stella Adler Studio Conservatory

  • American Academy for Dramatic Arts

  • Sarah Lawrence College

  • Guest lecturer at Long Island University

  • Guest faculty at other AT training programs

  • Taught in Sao Paulo, Brazil

  • Private practice (since 1981)

PRESENTATIONS/CONFERENCES

  • With Richard (Buzz) Gummere, Daniel presented the Alexander Technique to the Education Seminar at Columbia University

  • Zen Center of New York City

  • The Penland School for Crafts

POST-GRADUATE STUDY AND OTHER QUALIFICATIONS

  • Studied with Patrick MacDonald, Goddard Binkley, Walter Carrington, Elizabeth Walker, Marj Barlow and Marjory Barstow

  • Helped found the national professional organization, the American Society for the Alexander Technique

  • Author of the book The Sacred Portable Now (Prima Publishing, 1996) and co-producer of the CD “The Back Alive Advantage,” based on principles of Alexander Technique self-lesson work