ACAT Alumni Mark Josefsberg shares how he discovered Alexander Technique and why he decided to train with fellow ACAT alumna Brooke Lieb

Mark Josefsberg, Alexander Teacher and author of “Lighten Up: 29 Playful Lessons to help you learn the Alexander Technique” shares his story of discovering Alexander Technique and deciding to train with fellow ACAT Alumna N. Brooke Lieb.

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No more "auto pilot": Using Alexander Technique for Mindful Movement

No more "auto pilot": Using Alexander Technique for Mindful Movement

I recently began working with a student who has been living with Parkinson’s for 20+ years.

I remembered reading about John Pepper, who consciously retrained his movements to overcome foot drag and tremor, and became curious about how his conscious attending to his walking, typically an unconscious and habitual motor task, allowed him to perhaps create neural pathways that could compensate for or bypass the areas of his brain impacted by Parkinson’s.

Alexander Technique asks us to perform automatic tasks in a conscious and novel way.

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From the Archives: Embracing Change (Originally published March 14, 2018)

From the Archives: Embracing Change (Originally published March 14, 2018)

Alexander Teachers could be considered “change agents” for the individual. We help our students expand ways of being in thinking, movement and behavior.

That can seem vague and hard to articulate, and many Alexander Teachers find ourselves momentarily tongue-ied when someone asks: “What is the Alexander Technique?”

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What I Need Will Bring What I Want Closer: Relief

What I Need Will Bring What I Want Closer: Relief

What we want is for our pain to go away. What we need is to pay attention to what we do that creates the pain. Our wants aren’t satisfied without energy put into it, right? Our needs are a lot simpler than our wants, and are often delivered in unexpected ways. Our wants, well, we can want endlessly, about all kinds of things, but what we actually receive sometimes falls short of that list, right? And other times, what we receive is actually better and along the line of our needs instead.

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10 Keys to Understanding Trauma

10 Keys to Understanding Trauma

by Cate McNider (originally published here)

A very important thing to know after you have experienced something traumatic, is that the subsequent events that bring it all up again, is the body’s way of telling you, there’s leftover information in your system that needs to be emptied. It’s the triggering events that are trying to help you heal, though it feels like it just hurts and depresses you even more.

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The Hero's Journey Is Written In Your Habits

The Hero's Journey Is Written In Your Habits

by Cate McNider (originally published here)

The blindspot humans love to avoid, is that the use of themselves, how they think and move is at the root of their problems. The systems we live by are justifiably crumbling, and addressing the pains of that evidence is everywhere, in process. Routinely, I see health articles omitting the responsibility of each person looking to see what they are doing and thinking and how that is creating the dysfunction. We are the creators, is the elephant in the cosmos.

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Getting Lost Means Finding A New Way

Getting Lost Means Finding A New Way

I want to tell you a little story.

A student who’s been studying AT with me since 2019 (with the interruption of the 2020 lockdown plus some months after vaccinations), recently finished another package of nine lessons. The pattern is unfolding beautifully to reveal a resolution in the upper and lower body in process and more ease all around. She reported a very interesting incident after leaving the previous week’s lesson going to her next destination.

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We Are Humming Beings

We Are Humming Beings

A few months ago, I received an email asking me if I did “toning” in my voice classes. I responded by saying that what I teach is how to use one’s breath and body to essentially “hum” all the time, which, in my mind, is the essence of toning. Apparently, that was not a satisfactory answer. The person wanted something more mystical than, “When we are aligned internally through the muscles responsible for breath and voice, we resonate continually.” We are humming beings. We are invigorated and energized and we feel vibration move through our whole body and onto our lips and face.

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Training Journal: Classes with Judith Leibowitz #10

Training Journal: Classes with Judith Leibowitz #10

Friday, December 16, 1977

We had a discussion about directing as a non-endgaining activity. It was suggested that the work is about giving yourself more space. Direction is not a movement. Direction is a thought. Movement is a result of direction. Direction precedes movement, and integrates and releases through movement.

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Training Journal: Classes with Judith Leibowitz #9

Training Journal: Classes with Judith Leibowitz #9

Friday, December 2, 1977

There is no right way to direct, only direction.

On the street, I may see what I want to happen to me in the person ahead or me, or direct the person in the mirror.

Judy: “Like the Macy’s parade balloons, only expanded with energy rather than air.”

Must be willing to give up what you think is true.

Not to be rigid.

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The Tao of Scoliosis

by Cate McNider (originally puplished here)

Scoliosis, the lateral asymmetric deviation of the spine, is idiopathic. That means doctors don’t yet know or fully understand it.

Tao of Scoliosis.JPG

Experientially, we know the causes are as varied as the people that suffer from it. Here’s a synopsis: Muscles pull bones, stimulated by messages sent from the nervous systems motor pathway, to animate the muscle fibers to contract or release. The messaging can also be a suspension of movement, as in holding the diaphragm from inhaling or exhaling. Repetition of such an action or non-action, over time, creates a pathway in the nervous system messaging, which then becomes a habit, which develops into a pattern.

The diaphragm is the nexus of the deviation for the upper and lower side of the spine to be pulled to the right or left in opposition. It’s a powerful trampoline-like muscle that encircles the base of the ribs, creating a boundary from respiratory and digestive systems, massaging both with each action, acting like a pump of sorts. It has anchors, tendons into the spine, the longer of the two on the right side. Over time, that right side anchor has more leverage to pull the upper body into a twist to the right. The lower body, meanwhile, seeks to balance the developing imbalance by pulling back, creating the S-curve. (I’ve found a C-curve to be more common—only one side majorly deviates the spine, usually the upper and again to the right.)

The body’s innate intelligence makes the best of a bad situation, ever attempting to maintain balance, especially to counter strong forces. The mind is the arbiter in shaping the body—how someone accepts a stimulus, or misunderstands a stimulus due to youth and inexperience, begins to shape how they see the world, and in turn shapes or misshapes the body. A force strong enough in an instant, or repeated over time, has the power to imprint itself on a growing spine into pulling it in opposing directions.

And that gets us to the shape of Tao: the light spot in the dark and the dark spot in the light. The spine is the divider of the duality of light and dark; apply a stimulus strong enough to deviate it from an upward balance of the two, and you have expressed a division of mind against itself. Beliefs taken literally by the body have colored the reality of what is true—they warp the frame of the skeleton receiving opposing messages.

There is a naturalness we all are born with, which is colored by our interpretations of our environments, family, culture, language and customs. We are not exactly a blank slate; we bring with us in our spirit knowledge that we will need for this life’s journey, and as we have to learn about where we find ourselves, because we don’t know yet, we make incorrect assumptions, and internalize messages that become the positions from where we act and speak, shaping our minds and thus our bodies. While nature provides all creatures with defensive attributes—the skunk’s pungent scent, the tiger’s sharp claws, the snake’s venom—we humans mostly have our minds to navigate the world and defend ourselves.

We feel before we have language. In our movement, synapses are made between the brain and the body. Our eyes lead us through developmental patterns, homologous, homolateral and contralateral into standing out of curiosity; our world expands and we expand upon our reflexes, into pushing, pulling and reaching. We have all five senses that inform us of our environment, plus the native and primary receptor of vibration, which is feeling. We all felt a situation before we had the language to understand it fully. We felt safe or unsafe. We were hungry or not hungry. We were cold or hot, wet or dry.

In these early years, the feeling groundwork is laid for later complexity. One person may perceive a stimulus as no big deal, but for another person it’s a pivotal event. That pivot, that moment of hinging is in the nexus of the length of the spine or its compression, and the width of the diaphragm or its contraction. This is the center line defining yin and yang, the left side being the feminine and the right being the masculine. Feminine is receptive, masculine is projective. Feminine is space and masculine is form; ergo, there is form in space and space in form. We breathe space (air) into us, drawn in by the diaphragm and pushed out by the diaphragm. Suspend this natural process with a shock and then repeatedly out of fear, and it can become an unconscious habit of withholding the inhale or exhale. Add the effect of the stimuli on the heart and you can have an emotional shutdown; the spine deviates from its support of the heart.

Our strengths and weaknesses are readily perceptible to one who sees and understands the language of the bodymindspirit. Yes, I mean that as one word. We are Tao, the whole circle, but when we swing from yin to yang, pulling ourselves apart by giving the mind power beyond our conscious control, it can become a switchback trail that we must retrace, undoing the misunderstandings, letting the spine untwist itself with every recognition.

For example, I was about 7 or 8 when my father said to me that "thinking is superior to feeling.” Whether he meant it as an order, a threat or a suggestion, it’s how I took it that created my future reality. I was standing at the top of the stairs, up from the front door, on the new white carpet, my hands on the railing, poised to make a decision that energetically would become a base of how I would interact in the family. I made a decision in that moment (I didn’t want to be ‘inferior,’ whatever that meant, since I was already competing with two older brothers) to follow what I thought he meant, which energetically resulted in evacuating my solar plexus, to my brain. Subsequent events further affected me and my body, which having shut down my feeling center could not support me and the forces were greater than my mind could process. The incoming information went out another pathway and was stored in the body’s tissue. Many other defining moments are what I have allowed for decades to unwind, returning my spine to an upward length and width, to wholeness.

If we take the time to understand this relationship of the mind and the body, we can significantly rewrite what will become our future. Understanding the past that has written itself on our body, we can undo the wires that unevenly hold the muscles in opposition. The muscles that are being held by the information messaged by the nervous system can also be messaged to unhold the information.

It’s a choice: Do you want to create yourself after a Picasso or a Modigliani, or do you want to be free to be you? Who is you? (That's not a grammatical error.) Are you in balanced opposition to gravity or are you suffering under the weight of your thoughts about what you think about reality? Remember, you create your body and your reality! Do you want to keep swinging back and forth on the Coney Island ride of suffering, or do you want to undo the lies you accepted so long ago, and discover how you really feel?! Allowing is the new doing.

(These mindbody truths hold whether you have developed scoliosis or not.)

HDSHT-smiling.jpg

Cate McNider has been working with the bodymind and spirit for 29 years. Through every stage of her healing and working with others through different modalities, she now finds the Alexander Technique, most actively helps others address pain and stress. She is giving online classes during this time of 'social distancing'. President of The Listening Body® has spent three decades in the Healing Arts — spanning Massage Therapy, Reiki, Embodied Anatomy, Yoga, Body-Mind Centering®, Contact Improvisation, Deep Memory Process® and more — and has further sensitized her instrument through the process of Alexander Technique. Her AT training represents the culmination of a lifetime of work and study and a springboard for future creations. Cate is also a painter and published. www.catemcnider.com and www.bodymind.training.

Training Journal: Classes with Judith Leibowitz #7

Training Journal: Classes with Judith Leibowitz #7

November 29, 1977 : On teaching

You cannot do something to someone, unless you have it in yourself. You will become more and more able to help someone when you help yourself.. You cannot give someone direction unless you give direction to yourself.

When you do something new, you don’t have to worry about feeling it. This also helps people become less self involved.

You can use something above the head to look up and bring the head to move forward (student is sitting) on the hip joint is a good exercise in inhibition. Looking in the mirror you are not going forward as much as you are seeing your head go up. The torso will go up if the head goes up.

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Training Journal: Classes with Judith Leibowitz #6

Training Journal: Classes with Judith Leibowitz #6

November 8, 1977: "Direction is a form of meditation.”

It is a simple repetition of words. Just being without trying. No need for results or defining: words can be used anywhere, anytime in any position.

  • Stance appropriately wide to height of person

  • Releasing into monkey with no goal in mind

  • Maintaining shoulder width against gravity's tendency to pull shoulders in as torso bends, releasing shoulders out without contracting in the back

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Training Journal: Classes with Judith Leibowitz #5

Training Journal: Classes with Judith Leibowitz #5

Bending and picking up an object:

Torso lengthening and widening

  • Stance appropriately wide to height of person

  • Releasing into monkey with no goal in mind

  • Maintaining shoulder width against gravity's tendency to pull shoulders in as torso bends, releasing shoulders out without contracting in the back

    Read more…

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7 Tips for Bringing Alexander Technique Awareness into Everyday Life

7 Tips for Bringing Alexander Technique Awareness into Everyday Life

Private lessons are a great way to understand your own habits and how Alexander Technique tools can help you find greater ease in daily activities, and specialized skills. We refer to our clients as students because we are teaching skills that offer independence outside of sessions.

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Rate of Change

Rate of Change

8/8/2005: When people begin studying something new (especially if it's helping them feel better), it's natural for them to want to learn all they can, right away and be a model pupil. Often, my clients get a great deal of relief when they first start to study, and because they have been in discomfort, they want to do all they can to hold onto the new state they are in. Unfortunately, you cannot hold on to a release. I am not just referring to a muscular release, I'm also referring to a release of a pattern or habit of attitude, perception or behavior.

 

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An Approach to Training Teachers: start with Alexander's means-whereby

An Approach to Training Teachers: start with Alexander's means-whereby

by Brooke Lieb

This week, a student on the ACAT training course (trainee) commented that there didn't seem to be specific instruction on the nuts and bolts of teaching: where to put hands, what to say, and the sequence in which to do things.

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